
“The most terrifying words in the English language are: I’m from the government, and I’m here to help.” Ronald Reagan
For those of you who are married, I warn you up front not to laugh at this one. “‘I am’ is reportedly the shortest sentence in the English language. Could it be that ‘I do’ is the longest sentence?” George Carlin
The English language—words and grammar. One misspelled word, and you’ll either end up being holy, someone approaching sainthood (such as myself), or being wholly, someone who’s been shot up the OK Coral. One forgotten comma can turn “Let’s eat, gramma,” a call to supper, into “Let’s eat gramma,” an unfortunate act of cannibalism.
After the basics, you get into nouns and verbs, pronouns and adverbs, which brings me to Little Johnny. Johnny was sitting in English class and not paying attention. The teacher, looking to bring him back from wherever his mind was, pointed at him and said, “Name two pronouns.” Johnny replied, “Who, me?”
Based on those who laughed, we now know who is good with words and grammar.
“Who, me?”
In the Church of San Luigi dei Francesi in Rome, there are three magnificent paintings by the great Italian artist Caravaggio. Each of the paintings portrays a significant moment in the life of our Patron Saint, Matthew. There is the Inspiration of St. Matthew, the angel giving Matthew the words of his Gospel, and the Martyrdom of St. Matthew, depicting his death. However, the one that concerns us today is the Calling of St. Matthew.
In the painting, Matthew is seated with five other tax collectors who are counting their money. Also in the scene are Jesus and Peter, both of whom are pointing at Matthew.
Matthew’s right hand is stretched out on the table, counting coins, while with his left hand, Matthew is pointing back to himself. The expression on his face—“Who, me?”
I know that feeling. When I first heard God calling me into service, my first response was, “Don’t be stupid.” Yet, God was calling me, and God was calling Matthew. Both of us responded, “Who, me?” And in each case, God responded, “Yes, you.”

Another of the greatest artists is Rembrandt. In his early career, Rembrandt was wildly successful. Painting and selling portraits, buying the big house, and all the finest art to fill it—living the life. However, all the big spending eventually caught up to him, and he ended up losing it all and dying penniless. Even though he had lost everything, he continued to paint, and the subject he most frequently painted was himself. Rembrandt painted sixty-three self-portraits. This was not an exercise in vanity, nor was it simply to practice his art. He painted himself, year after year, as a “‘search for the spiritual through the channel of his innermost personality.’ Rembrandt felt that he had to enter into his own self, into his dark cellars as well as into his light rooms, if he really wanted to penetrate the mystery of man’s interiority.” (You are the Beloved, Henri Nouwen, June 27) Through those sixty-three self-portraits, Rembrandt was searching for himself. In the process, he understood that as he lived his life, he was also repainting his interior self—a continuous reworking of an interior self-portrait.
Jesus pointed at Matthew, and Matthew pointed at himself and asked, “Who, me?” Jesus responded, “Yes, you.” So, like Rembrandt, Matthew was left with the option of repainting his interior self-portrait or remaining as he was, sitting at a table counting coins, never realizing the life Jesus was calling him to. It is the same for each of us.
We each have an interior self-portrait that is being continuously repainted as we seek to know who we truly are. This interior self-portrait has little or nothing to do with the portrait and all the masks we show to the world. Instead, the interior self-portrait includes all the light and all the darkness that you don’t show to anyone. Sometimes, that interior self-portrait is so fluid it has difficulty maintaining form, and we begin to wonder who we actually are.
During World War II, the great German theologian Dietrich Bonhoeffer was arrested and imprisoned. He would be executed before he could be freed. Although his writing reflects a deep and abiding faith, he, too, had his doubts as to who he truly was. His interior self-portrait was also fluid. During one of those moments, instead of painting an image, Bonhoeffer wrote a poem—Who Am I?
Who am I? They often tell me,
I step out from my cell,
composed, contented and sure,
like a lord from his manor.
Who am I? They often tell me,
I speak with my jailers,
frankly, familiar and firm,
as though I was in command.
Who am I? They also tell me,
I bear the days of hardship,
unconcerned, amused and proud,
like one who usually wins.
Am I really what others tell me?
Or am I only what I myself know of me?
Troubled, homesick, ill, like a bird in a cage,
gasping for breath, as though one strangled me,
hungering for colors, for flowers, for songs of birds…
Am I then, this today and other tomorrow?
Am I both at the same time? In public, a hypocrite
And by myself, a contemptible, whining weakling?
Who am I? Lonely questions mock me.
He then concludes,
Who I really am, you know me, I am thine, O God! (Voices in the Night, p.45)

One more artist, perhaps you’ve not heard of—Charles Boyer. Boyer began working for Walt Disney and Disneyland in 1960. In one of his paintings, he has Mickey Mouse painting a self-portrait. Mickey is leaning over, looking in a mirror, and busily painting his portrait. However, the image on the canvas is not that of Mickey Mouse. It is Walt Disney. Mickey Mouse is painting the image of his creator that is within him.
Bonhoeffer asked, “Who am I?” He concluded, “Who I really am, you know me, I am thine, O God!” Bonhoeffer was painting his interior self-portrait and, in doing so, was attempting to paint the image of his Creator that was within him.
Rembrandt looked in the mirror and painted his sixty-three self-portraits, all along, searching for the image of the Creator Who was within him.
Jesus looked at Matthew and said, “Follow me.” In doing so, Jesus invited Matthew to follow Him and repaint the interior self-portrait. At first, Matthew probably thought, “Who, me?” But then we are told, “he got up and followed” Jesus. Matthew repainted the interior self-portrait, and it revealed the image of his Creator.
St. Paul, writing to the Ephesians, tells them “to put off your old self, which belongs to your former manner of life and is corrupt through deceitful desires, and to be renewed in the spirit of your minds, and to put on the new self, created after the likeness of God in true righteousness and holiness.” (Ephesians 4:22-24) We are called to do the same—to put off the old self and to put on the new self. To repaint the interior self-portrait into the image of our Creator… into the image of Jesus.
When Jesus points to us, we, along with so many others, likely say, “Who, me?” Jesus smiles and says, “Yes, you. You follow me. Repaint the interior self-portrait in My Image, for I am your loving Creator, and you are Mine.”
Today, Jesus hands you a set of paints, some brushes, and a fresh white canvas. He invites you to follow Him. He invites you to repaint yourself in the Image of your Creator. In His Image. You say, “But I can’t paint!” From Proverbs, we read,
“Trust in the Lord with all your heart,
and do not rely on your own insight.”
(Proverbs 3:5)
You can’t paint? Trust in the Lord to guide you. Don’t rely on yourself; He will reveal His Image in you.
Let us pray:
God, our Father,
You redeemed us
and made us Your children in Christ.
Through Him You have saved us from death
and given us Your Divine life of grace.
By becoming more like Jesus on earth,
may we come to share His glory in Heaven.
Give us the peace of Your kingdom,
which this world does not give.
By Your loving care protect the good You have given us.
Open our eyes to the wonders of Your Love
that we may serve You with willing hearts.
Amen.








